Aftersound with Grace Bedwell, E. Jason Gibbs, and id m theft able

An evening of multi-channel sound, spatial audio, and experimental music, electronic and electro-acoustic. A Sonic Visions Fund commission.

Aftersound is an ongoing listening series focused on multi-channel / spatial audio performances and installation works presented in various Maine locations, organized by Ron Harrity and Patrick Carey.

Grace Bedwell makes electro-acoustic and electronic experimental music. Based out of Portland, Maine, she is interested in creating sound to experience bodily and aurally, to satisfy experiences, and to suspend and alter time perception through audio output.

E. Jason Gibbs is a field recordist and guitar player. His compositions are built from field recordings, and explore the relationship between the built and natural worlds and how humans impose themselves on environments. His work for guitar is improvised, drawing on minimalism, noise, free jazz and fingerstyle.

Cumberland County’s resident noisenik, sound-poet, and sometimes spiritual guide, id m theft able is “an enduring figure in the American weirdo noise century, specializing in a homespun voice and junk-object sound” (C. Spencer Yeh, Bomb Magazine).

A SPACE Sonic Visions Fund commission, made possible with support from the Onion Foundation.