Sold Out! Caroline Rose with Joanna Sternberg
doors at 7:30pm
$22 day of show
$2 off for SPACE members
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Superstar is an underdog story, and one not far off from Caroline Rose’s real life. After a years-long struggle to release what would ultimately become 2018’s LONER, deemed “a singular artistic statement from it’s unforgettable album art all the way down” (Pitchfork), Rose found herself in the midst of a new widespread audience, one both delightfully intrigued and perplexed about how and where to place her. That, combined with a developed set of studio skills and a challenge to “make something from nothing,” marked the beginning of Superstar. Gone are the polished Hollywood hunks and starlets of olde. Here is a shamelessly odd hero, or rather anti-hero, on a quest to become a someone.
Inspired by cult classics such as The Bitter Tears of Petra Von Kant, Mulholland Drive and the mockumentary Drop Dead Gorgeous, Superstar plays out like a film with a beginning, middle, and an open ending. In album opener “Nothing’s Impossible,” the protagonist receives a mistaken phone call from the glamorous Chateau Marmont hotel. Taking the call as a sign toward a star-studded future, they (gender neutral pronouns) leave behind everything in pursuit of a newly established destiny.
What ensues is a cinematic paradox that in one moment finds them strutting down a neon strip in full Saturday Night Fever hip-swing donned in their finest threads, and the next sipping a dirty martini at the rundown apartment complex pool, dwelling on life’s unfortunate turns. It’s a narrative Rose pulled directly from the somewhat shameless desires of her own growing ambition, as well as the public breakdowns of several notable celebrities. “To me, the satire is in what we’ll do and put up with in order to be successful. I wanted to make a story out of those parts of myself that are for the most part undesirable, then inject them with steroids.”
Rose worked on the album in order of the story’s timeline, ensuring each track represented a chapter of the narrative in her head. Songs bursting with self-aggrandizement often reveal moments of vulnerability. “Feel The Way I Want” leads us with boisterous confidence through heartache by refusing to let pain get the best of us. Disguised as a Prince-infused bop, “Do You Think We’ll Last Forever?” expresses the uncertainty and anxiety that come with seeing a new partner, ending in a full blown freakout of bottled up nervous energy. The S&M-fueled love song “Freak Like Me” and the darkly comedic “Command Z” ultimately expose a fragile person coming to terms with their own humanity. Rose sings, “I looked around at all the people there / as I thought everyone we know will know will someday be dead / God, I just don’t want it to end / Undo, I’m gonna do it again”.
Rose began formulating the songs and ideas for a sequel-esque follow-up to LONER in between the band’s near-incessant touring schedule, from playing sold out headline shows across the country and beyond, to becoming fan favorites at some of the world’s biggest festivals. “Two years ago I started touring with nothing, not knowing if I’d even have a career. Then all of a sudden we were playing to hundreds of people in a town I’d never heard of. The whole thing was fascinating. It got me thinking, just how much can you build from nothing?” As a result, Superstar was written, recorded and produced by Rose in her 10’x12’ home studio, as well as on a portable rig she’d set up in green rooms while on tour.
Superstar is a bigger, badder, glitter-filled cinematic pop record for weirdos. “I realized at some point that I’m not going to fit into any one box, and maybe that’s a good thing. This new record is me embracing feeling like an outsider making my own path,” Rose says. One part satire, one part self-reflection, Rose’s anti-hero personifies much of what we as casual on-lookers are wont to poke fun at, dismiss or denigrate, yet deep down likely aspire to be. Someone who, whether warranted or not, refuses to let anyone dictate their own life’s narrative.
Joanna Sternberg is a singer, songwriter, musician and visual artist born/based in New York City. Joanna started taking piano lessons when they turned 5. Joanna taught themself how to play the guitar and electric bass when they were 11. Joanna attended LaGuardia High School of Music and Art in Manhattan. They started studying double bass during their freshman year. Joanna got a full scholarship to Mannes College of Music, and studied classical double bass there for a year and a half. Joanna decided to leave the school and take a year off. During that year they did nothing but stay in their room and draw comics. Joanna has been a freelance musician and visual artist since they were 18-years-old. Joanna finished their double bass performance degree at The New School for Jazz & Contemporary Music, where they got a full scholarship. When Joanna was 23, they began writing songs and learning how to sing. At the age of 24 Joanna started singing in public while accompanying themself on different instruments. Today, Joanna continues to write songs, sing, create visual art and play instruments (double bass, electric bass, guitar, piano, violin, drums, banjo and mandolin.)
I am clearly writing this biography in the third person because a bunch of people told me that I had to…but now I’m gonna switch it up! I learned how to draw by copying my dad’s drawings (his name is Michael Sternberg and he is an amazing visual artist and musician and singer and songwriter!) I am so lucky that my mom and dad have been encouraging me to draw and play music since I was born! My family and friends have also been so supportive of my music and art, and I am beyond thankful. I am also so grateful for all of the other amazing people I have met along the way, and I can’t wait to hopefully meet more and more people. I really do want to be friends with every single person I meet but I understand if this makes me come across as strange and even frightening to some people.