Richard Reed Parry’s Quiet River With Rain Machine
Richard Reed Parry is thrilled to announce that he has signed to ANTI- Records and will be releasing two albums as a two volume series. This autumnal equinox – September 21 – Quiet River of Dust Vol. 1 will be released while the spring equinox of 2019 will be the release date of Volume 2.
Best known as an accomplished multi-instrumentalist in the Grammy-winning rock band Arcade Fire, the Quiet River of Dust volumes are Parry’s first solo work outside of his innovative compositional work with the highly respected Deutsche Grammaphon label. But Quiet River of Dust is a new direction: a dreamlike journey of immersive, gently psychedelic songs inspired by Japanese death poems and the folk music of the British Isles.
The genesis of these songs came ten years ago after Arcade Fire’s first tour of Japan in February 2008. Parry stayed on for weeks after the last show, heading to a monastery for some solace in what he described as “the biggest silence you’ve ever heard.” Quiet River of Dust has been slowly gestating ever since, in many ways a necessary respite from Parry’s other musical pursuits as creating this music grew into a meditative practice.
“The song ‘On the Ground’ was inspired by an encounter with ghost voices in a Japanese forest near a temple on the mountain Koya-San,” Parry explained. “I told director Caleb Wood the story – of being alone in this magical environment of giant cedar trees and hearing a loud chorus of powerful harmony singing that sounded inexplicably identical to my late father’s folk band the Friends of Fiddler’s Green, who were the soundtrack to my entire childhood and upbringing.”
Despite these influences, Parry did not explicitly want to write in a traditional British Isles folk style. Nor did he want to create the kind of pop songs to which tens of thousands of people could sing along, as he does with Arcade Fire. But while that band’s landmark 2004 debut, Funeral, made a grandiose statement through big, bold gestures, Quiet River of Dust does the same, with vertical layers of sonic architecture, but with the inverse approach: small, soft and gentle, though just as grand. Parry wanted to create a tangible aural garden of rapturous colors that invite exploration and create an immersive experience.
“I’m lousy at sitting still and being nothing,” Parry says. “But being out in the natural world or being immersed in music is the meditation for me. That’s the heart of this record: the experience of transcending the place that you’re in, getting lost in the feeling of where you end and where the world begins, in a dreamlike world of music and thought.”
Richard Reed Parry is joined by Rain Machine, the solo outlet of TV on the Radio‘s Kyp Malone. Rain Machine captures a moment of an artist fully coming into his own as a solo artist. It’s a funny thing to say about someone who has recorded three full-length albums and toured the world with one of rock’s most acclaimed outfits. Malone has always found time for his own music projects. He regularly plays around New York City under his own name. In addition to his more than a decade with TV on the Radio, he is also a part of the group Iran, with Aaron Aites, that has released three albums thus far. And Malone often lends his talents to fellow Brooklyn friends, like Miles Anthony Benjamin Robinson and Holly Miranda, as well as those more far-flung, like Malian Tuareg music legends, Tinariwen. But Rain Machine is an extraordinary set of songs, unafraid of its own openness and vulnerability, of its own explorations to sometimes unanswerable questions.