Last week I asked my co-workers here at SPACE what they have been reading, listening to, watching, and looking at this summer. Below is a list of our cultural indulgences, habits and secret guilty pleasures.
All summer I have been listening to Karen Dalton’s 1966 on repeat. Not only does she have “the kind of voice talked about in reverent tones by everyone from Bob Dylan to Devendara Banhart” but you can’t beat that album cover:
In addition to Mrs. Dalton, Other Colors have been in heavy rotation lately.
And as usual I can’t get enough of Sight Unseen.
I am really looking forward to reading Fairyland by Alysia Abbott, which is about growing up immersed in gay culture in San Francisco in the 1970’s.
Last year for World AIDS Day Abbott put together a wonderful playlist that helped her get through the grief of losing her father 20 years prior. The list provides some valuable context not only to Abbott and her book, but to the time and scale of the AIDS crisis.
I recently herd this Rolling Stones song in a bar and I had to get the whole album.
I have been spending a lot of time on Pinterest lately.
A shortlist of albums that I have been loving this summer
No Joy Wait To Pleasure
Octo Octa Between Two Selves
Stellar Om Source Joy One Mile
Jessie Ware Devotion
I am currently reading City Of Quartz by Mike Davis which has been on my to-read list for a long time and is giving me a great critical framework to think about LA. A city that fascinates me.
Vice’s Motherboard is always good for offbeat coverage of contemporary technology and science topics.
In April I was fortunate enough to travel to Austin for the Fusebox Festival which introduced me to a lot of exciting artists and projects, including a piece of theater in development that I can neither adequately describe nor get out of my head.
I recently got a chance to visit PS1 MOMA and take in their EXPO 1: NEW YORK. Highlights for me included: Adrian Villar Rojas’s La Innocencia de los Animales, Triple Canopy‘s Speculations (“the future is _______”), and ProBio.
Totally enjoying reading this account of the music scene in NYC ’73-’77. It weaves together all the ascending music (punk, disco, loft jazz, minimalists, Springsteen, salsa, hip hop, Blood On The Tracks-era Dylan, etc…) into a all-killer-no-filler account of a vibrant time in a dirty city. Highly recommended for music geeks and culture historians.
As per usual, I’m mostly working my way through piles of submissions for potential SPACE screening considerations. Of most interest is the genre-breaking The Act Of Killing coming to SPACE in mid-September. Also of note is an experimental short portrait of Aroostook County called “The County” by Chris Giamo. In my downtime, I also managed to catch up with The Walking Dead.
Post Nothing Can Hurt Me screening, Big Star and Chris Bell have been on heavy rotation and I’m hearing Third/Sister Lovers in a whole new light now that I’m able to take Memphis photographer, William Eggeston‘s aesthetic influence into account.
Jerusalem and the Starbaskets have finally put up a three of their past records in anticipation of the release of their new record coming out sometime soon.
Housekeeping by Marilynne Robinson = Classic
Why did I Ever by Mary Robison = A sharp and funny novel written while the author was going through writers block, after forcing herself to write one small vignette each day, a narrative eventually forms.
Zoli by Colum McCann = A beautifully written novel about the slow death of Gypsy culture in Eastern Europe (1930’s-1960’s). Oh and it’s also a love story.