Staff
Peter’s first night in Portland, back in October 2006, was spent at SPACE, where Wolf Eyes melted his face and destroyed his ears. He remarkably still had enough hearing to join the event staff as a sound engineer in August 2010. He joined the staff upstairs in the office as music programmer in 2014. As a drummer, he has played more than 600 shows across North America, Europe, and Asia over the the past decade, with bands such as Family Planning, Mehetable, Woodpainting, Villages of Spaces, Names Divine, Ora Cogan, Lina Tullgren, Jacob Augustine, Lisa/Liza, Lady Lamb, The Casco Bay Tummlers, and many more. He runs a small record label, Pretty Purgatory. His favorite color is purple.
Jocelyn Leighton is a queer human who uses she/they pronouns. As an INFJ, she uses her intuitive and feeling powers as a way to intrinsically navigate the world. Originally from Downeast Maine, land belonging to the Passamaquoddy Tribe, Jocelyn loves to travel and has been to many different places that have stirred her soul. They are an artist, performer, writer and is currently working on their Master’s degree in Gender and Cultural Studies at Simmons University in Boston, Massachusetts. Jocelyn wrote and performed a piece titled The Unkindest Cut which was in PortFringe 2019 and they author/manage the website Getting to Know Jane Doe. Along with being a fastidious office manager at SPACE, Jocelyn’s work also includes normalizing gender pronouns in professional spaces, as was part of her previous role as Visitor and Member Experience Supervisor at the Portland Museum of Art. Jocelyn lives in South Portland with her two kitties, Mere and Pippen.
Kelsey Halliday Johnson (she/they) is a cultural organizational strategist, interdisciplinary curator, artist, and writer from Philadelphia, living in Cape Elizabeth, Maine. Prior to SPACE, Johnson worked as a museum curator, performance and live art coordinator, archaeological ceramic collection specialist, community radio DJ, art collective member, art publishing intern, and instructor at the University of Pennsylvania and Interlochen Center for the Arts. A graduate of Princeton University, The University of Pennsylvania, and Wesleyan University, Johnson’s research has included the aesthetics and rhetoric of fascism, the intersection of art and technology, and the body as a political instrument in performance. The care, spirit, and values in her work are modeled after the inspiring academic mentors she hopes to honor: Terry Adkins, Matt Freedman, Sam Miller, and Emmet Gowin. Her 2016-2017 multi-site independent curatorial project Making/Breaking the Binary: Women, Art & Technology (1968-85) garnered support from the Pew Center for Arts & Heritage and activated organizations throughout the Philadelphia region to explore women-identifying artists ahead of the personal computing age. Some thoughts by Kelsey on the future of the art field can be found in the Common Field “Field Perspectives 2019” with Title Magazine.
When not reading books or getting outside, Kelsey is passionate about volunteering for queer and reproductive justice, in addition to serving on the Executive Committee of Sierra Club Maine, the Collections Committee of the Portland Museum of Art, and the Cultural Steering Committee for the City of Portland. She actively identifies as an ambivert and has been known to be quite taken with novelty office supplies.
Ian P. Hundt is an engineer, producer and musician with a varied background in studio, live and compositional sound. He moved to Portland in 2014 and quickly found his way to SPACE. On his first shift, he had one of the most powerful musical experiences of his life working with Tal National, and he has loved SPACE deeply ever since. Ian began his engineering career with a degree in Electroacoustics at Concordia University in Montreal, and has since worked in Nashville, TN, for several years with a focus on analog recording. He became SPACE’s Production Manager in 2017, and is thrilled to be working in Portland’s music scene. He is married to visual artist Amelia Garretson-Persans with whom he frequently collaborates. When not working at live shows, Ian can be found tinkering in his basement studio, playing piano or making dinner.
Lia Wilson is an arts writer and arts administrator. Originally from Chicago, she moved to Maine in 2015. Wilson has a background managing academic departments in art schools, first for California College of the Arts’ Architecture Division and later for Pratt Institute’s Art and Design Education Department. She was the Communications Manager at the Portland Museum of Art during the institution’s Your Museum, Reimagined initiative, a multi-year revamp project expanding access to the museum’s campus and collection. Wilson’s writing practice explores themes of identity, visibility, and representation in contemporary visual arts, and her research interests include the expanded field of outsider art and self-taught art and the evolution of critical discourse surrounding artists with mental illnesses. She has a MA in Visual and Critical Studies from California College of the Arts and a BFA in Printmaking from College of Santa Fe. She currently lives in Portland with her partner and young son.
Jonathan Downs is the building superintendent at SPACE. When not conquering the depths and mysteries of our building, he works as musician, guitar teacher, nanny, and organizer at New Fruit artist collective located in so-called Portland, ME.
Carolyn Wachnicki is a habitual non-profit employee that also identifies as a graphic designer, painter, athlete, music aficionado, documentary photographer, educator, and now, exhibition coordinator. Carolyn comes to SPACE from The Long Now Foundation, an organization in San Francisco established to inspire long-term thinking.
New to Portland, but not New England, Carolyn was raised in the Mount Washington Valley. There, amongst people that wore many hats (literally and figuratively), she learned early the virtues of being a generalist. This led her to study liberal arts at Wesleyan University with the intention of also playing Division III ice hockey. However, she quickly traded in her goalie gear for a paintbrush and double-majored in Studio Arts and Art History (with an unofficial minor in community radio–WESU 88.1FM).
After college Carolyn set out on her hero’s journey, stomping the trails as AMC ‘hut croo’ before heading to NYC for a curatorial internship at the Whitney’s Altria Space (RIP–’the corporation giveth and taketh away’). After putting in her 10,000 hours on freelance exhibition and collateral design, Carolyn joined the New Museum as their first female in-house graphic designer. The New Museum’s proximity to the lower east side inspired her to moonlight as a documentary concert photographer (note: she did not sleep much those years).
Carolyn climbed out of her creative rabbit hole briefly to work as a packaging designer for beverage companies and as an album art print production specialist for record labels (whilst slowly migrating west to California). After taking a brief sabbatical to write and illustrate a children’s book (Olin The Greyhound), Carolyn rejoined the non-profit world at the Museum of Sonoma County–just in time to celebrate the 40th year anniversary of Christo & Jeanne Claude’s Running Fence.
Carolyn‘s curatorial interests at present are found at the intersection of monuments, sites, and memories. She is particularly drawn to work that activates historic spaces and landscapes in new and transformative ways.
Catherine Buxton is a non-profit professional and performance artist. She spends most of her time speaking about sex and consent, and the rest of her time gluing trash to other trash. Sometimes she does stand-up comedy. (Photo by Julia Whyel)
Born and raised in the San Francisco Bay Area, Megan (she/her, they/them) is currently pursuing a clinically-focused Master’s in Social Work at Smith College. She has worked as a sexual consent educator, outdoor educator, and wilderness therapy guide. Megan lives in Portland with her partner, two cats, and a 90-pound yellow lab named Walter.
Greg Jamie is a partner and programmer of the Apohadion Theater in Portland, Maine. He is a singer and songwriter for the bands O’Death and Blood Warrior and has released several albums. He is also a visual artist and has had work shown recently at Border Patrol and Able Baker Gallery.
Elisabeth Fuchsia (she/her or they/them) is an artist in search of a medium, currently working primarily in photography, metals, and fiber on usually small but sometimes installation-size scale. She has close artistic ties to music festivals The Thing in the Spring (Peterborough, NH) and Cropped Out (Louisville, KY) and drag collective Switch ‘n’ Play (Brooklyn, NY). Also a classically-trained violinist and violist, she frequently performs as part of a revolving lineup in Footings (Peterborough, NH) and with Mehetable (Portland, ME), in addition to session/arranging work and continuously adding to her own collection of perpetually-unfinished ambient and not-so-ambient sounds. Aside from working at SPACE events, she is a tax advisor with Brass Taxes, working primarily with freelancers, artists, and other nice people, so you won’t see too much of her between February and April.
Quinn Farwell is a musician, electrical engineer, and sound engineer born and raised in Maine. They spend their free time taking pictures of their cat and plays drums, guitar, or bass between 6 bands or so.
After studying avant-garde jazz and improvisation with jazz legend Anthony Braxton, Nat Baldwin started writing songs featuring double bass and vocals. In 2005 he joined Dirty Projectors. In addition to his work with Dirty Projectors, he has performed on Grizzly Bear’s Sheilds, Vampire Weekend’s Contra, and Department of Eagles’ In Ear Park. In between touring and recording with Dirty Projectors, Nat has also recorded several solo records including 2014’s In the Hollows (out on Western Vinyl) and published a collection of short stories, The Red Barn (Calamari Press). He is an active literary arts programmer in Portland and also served as SPACE’s interim music programmer in 2019 while Peter McLaughlin was on sabbatical.
Julia Whyel is an Independent Media Producer, archivist and visual artist. She came to Portland, Maine for a three month visit and nine years later, here she still is. Most of her production works centers on documentary approaches to addiction and recovery, fashion, and concepts of community. Julia holds a BA in Media Studies from University of Southern Maine and is rounding the bend on her MA in Museum Studies at Johns Hopkins University. When she isn’t feasting on the SPACE archives you can find her cartwheeling around the city, state, country, and globe.
Utilizing hair, kitschy, and other unconventional materials in the sculptural works Veronica Perez creates intense personal moments by means of material hybridization and ideals of beauty. Material fragility echoes sentiments of a lost self, and at the same time comments on contemporary Latinx and feminist issues. Recently, Perez has been working at the intersection of identity, vulnerability, protection, and power through the facade of dark absurdity using materials such as sugar, fake hair, chain link fences, and fake sunflowers. She was recently awarded the Ellis-Beauregard Fellowship in the Visual Arts and is currently an artist in residence at Indigo Arts Alliance in their Black Seed Studio Fellowship in Portland, Maine.
Board of Directors
A graduate of Northeastern University with a degree in Business Administration, Oliver Watson represents the recent overflow of Boston’s startup tech community into Southern Maine. Born in CT and raised in the greater Boston area, Watson now works as part of a new health-tech business venture started by his brother in a former mill building in Westbrook. zFlo is a software and systems distributor primarily working with European healthcare focused companies, and Hawkin Dynamics is their new venture that develops metrics based fitness devices and software for sports medicine and physical therapy applications. Watson is a young arts collector in Portland and has actively supported and advocated for the growing community of experimental young contemporaries in the greater Portland area.
Local to Farmington, Maine, Desi Van Til studied English Literature at Princeton University, enjoyed a post-graduate cinema-intensive fellowship in Paris, then moved to Los Angeles to work as a producer. She learned the ropes assisting her mentor Greg Silverman at Revolution Studios and Warner Brothers. She went on to spend five years as VP of Development for Donna Roth and Susan Arnold at Roth/Arnold Productions where she associate-produced 13 Going on 30, and the Judd Apatow-produced comedy Drillbit Taylor. Van Til adapted and produced the short film Last Night, starring Frances McDormand, which premiered at the Venice Film Festival. Tumbledown was her first feature, a love letter to her hometown, which premiered at the Tribeca Film Festival and is available on most streaming outlets.
Van Til just adapted Julie Orringer’s celebrated novel The Invisible Bridge for Wiip as a limited series pilot, and is working on a Portland-based play. She currently serves as Chair of SPACE’s marketing committee.
A double graduate of New York University, Alisan Kavookjian received her BA in psychology with a research focus on youth development, and a MSW with a clinical focus on individual and group work with adolescents. In New York City, she worked as both a social worker with Big Brothers/Big Sisters and as a manager of the Volunteer Department of St. Vincent’s Hospital, before taking a break from full-time work to raise her family in Portland, Maine. She currently serves on the boards of Maine Academy of Modern Music and The Telling Room, is a part of the Contemporaries Council at the Portland Museum of Art, and is one of the most recent additions to our board officers. Passionate about music as both a parent to young musicians and personally, Kavookjian is a regular at SPACE’s diverse music events and has a growing collection of silkscreened concert posters in her home.
Catherine Besteman teaches Anthropology at Colby College. Her research focuses on racism, immigration/mobility, inequality, and social transformation, topics she has studied in South Africa, Somalia, and the US. A 2012 Guggenheim Fellow, she has also received recent fellowships from the Rockefeller Foundation and the American Council of Learned Societies. A curator as part of her professional practice, Besteman served on the Colby College Museum of Art Board of Governors and most recently co-curated the expansive Making Migrations Visible project, funded by an NEA Artworks grant, that brought together over 75 partners to stage events and exhibitions about global migration.
Chris Robinson is a financial advisor based in Falmouth, Maine who currently works for Ameriprise, after twenty years with Morgan Stanley. Passionate about art history, music, and sailing, Robinson is a founding board member and current Chair of SAilMaine, the community sailing, waterfront education, and adaptive ADA boating organization. In his spare time, Robinson spends time with his family and travels to music festivals in a restored vintage VW “Magic Van.”
Lesley MacVane is a Portlander by birth and is the longtime development coordinator for Portland Media Center, formerly Community Television Network. MacVane is a graduate of the Salt Institute for Documentary Studies and an independent filmmaker and media artist who is currently making work exploring adoption in Maine. Portland Media Center is also the umbrella home to the Union of Maine Visual Artists, Hour Exchange Portland (an ongoing community time exchange) and CoCo (The Congolese Community Association of Maine). Originally a documentary and portrait photographer, MacVane became interested in video while filming backstage at a drag show. Since then, she has done numerous videos for public access including pieces for MVAN and Portland Profiles. Since returning to Portland after thirty years living “away” (ranging everywhere from Boston to Nigeria, Jamaica, and Nova Scotia), she helped found the now defunct local newspaper, The Portland Pigeon, and has deep board experience serving on the board of Maine Charitable Mechanics, The Salt Institute, and Learning Works, among others.
Oronde Cruger is the program coordinator for Speak About It, a Maine-based nonprofit organization that brings consent and sexual assault prevention education to high schools and colleges through dynamic performances and programs. Originally from Florida, Cruger is a graduate of Bowdoin College, majoring in neuroscience and pre-med. He has been involved with Speak About It since its creation at Bowdoin and worked as a program educator for two years, traveling around the country, eagerly spreading the gospel of sexy consent. Previously, he has worked as an Admissions Officer at Bowdoin, at Mercy Hospital in Portland, on SPACE’s event staff, and is the proud co-founder of Heart of Hospitality. In addition to SPACE, Cruger currently serves as a board member of the Restorative Justice Institute of Maine. View his TEDxDirigo talk on Modern Masculinity here.
Chris Stiegler is the Program Chair of MFA in Studio Art at Maine College of Art, an art historian, and curator who founded the projects Town Hall Meeting and The Institute for American Art. Town Hall Meeting was a collaborative effort that produced symposiums, museum tours, and lectures. Stiegler serves as museum director for The Institute for American Art, a curatorial project that situates works of art and objects of culture within a residential setting. The museum shows a single work of art at a time to foster prolonged engagement with the audience, accompanied by associated film screenings, public readings, and other events. As a teacher he has focused on historiography, criticism of the contemporary, and 20th century art history. He holds BAs in art history and printmaking from the University of Delaware and a Master of Modern Art in connoisseurship, market history, from Christie’s Education.
Emily Drain Bruce is the Vice President of Creative at L.L. Bean. She has held various roles within marketing in her 10 plus years there, an extension of her previous decade of experience leading digital marketing and e-commerce efforts within the Estée Lauder Companies in New York and at several innovative start ups.
Bruce came to board leadership through her visionary volunteerism as chair of the SPACE Marketing Committee. She helped lead organizational visioning on SPACE’s brand and mission, has shored up our nonprofit business model, and developed a survey method to better understand our audience and marketing of SPACE’s cultural offerings.
Her volunteerism with alternative nonprofit visual arts spaces has deep ties to her own creative passions and family. She majored in fine arts at the University of Colorado, Boulder with a focus on ceramic sculpture and photography. She currently serves on the board of Maine Coast Heritage Trust.
Sarah Schindler is the Associate Dean of MaineLaw and is nationally recognized for her law scholarship, which focuses on property, land use, local government, and sustainable development. Four of her recent articles – “The ‘Publicization’ of Private Space” (Iowa Law Review), “Architectural Exclusion” (Yale Law Journal), “Banning Lawns” (George Washington Law Review), and “Of Backyard Chickens and Front-yard Gardens: The Conflict Between Local Governments and Locavores” (Tulane Law Review) – have been selected to be reprinted in the prestigious Land Use and Environmental Law Review, an annual, peer-selected compendium of the ten best articles of the year. Schindler was awarded a prestigious Law and Public Affairs (LAPA) Fellowship from Princeton University, where she spent the 2016-17 academic year. She was also named as Pace Environmental Law Center’s Distinguished Young Scholar of 2013. At Maine Law, she received the Professor of the Year award in 2013. Previously, she clerked for Judge Will Garwood of the Fifth Circuit Court of Appeals in Austin, Texas, practiced privately, and served as a White House intern under Bill Clinton. Schindler is a musician skilled at playing multiple instruments, a vegan, a mountain climbing enthusiast, and an avid urban cyclist.
Jane Phillips is the Vice President for College Advancement at Colby College and was formerly the leader of The Foundation for Maine’s Community Colleges. Having earned a BA from Colby and an MA from NYU, Phillips is leading the ambitious and innovative Dare Northward campaign seeking to raise $750 million to support the college and culturally revitalize Waterville, a former mill town in Maine. Previously, she served as director of development for the Yale School of Art working alongside Dean Robert Storr. Prior to her appointment at Yale, she was director of development for New York University’s College of Arts and Sciences, and a development officer at the Smithsonian’s National Museum of the American Indian in Lower Manhattan.
